What I like is that in the upper right-hand corner of each page is the last name of the designer that page is about, so you can flip through the book and find the designer you are looking for quickly and easily. Also, if you're like me and you've never actually read a National Geographic magazine article, you just look at the pictures and captions, this little detail of the book lends itself perfectly to your reading style. I can say though, that the short articles, a few pages each, written on the designers are very informative and just enough information to be insightful but not overwhelming.
Here are a few previews:
From The Studio Artisans
Michael Coffey, who, after turning his hobby of woodworking into his career, found his inspiration in the Vermont nature that surrounded his studio.
A cabinet made of Mozambique wood, one of Coffey's preferred materials. |
From 1973 to 1983 Coffey has a studio in Poultney, VT where the surroundings, like this rock bed, were of great inspiration to him. |
Paul Evans and Phillip Llyoyd Powell, who worked together on many pieces, which they usually sold in their store in New Hope, PA.
A collaboration piece photographed in 1965. Paul Evans was know for his metal work and Powell for his woodworking. |
George Nakashima's work was, and still is, known for his hand selected wood, usually high quality American Black Walnut. "He believed he was giving a second life to the trees he worked with." (p.126)
American Black Walnut marked for particular projects. |
From The Custom Designers
T.H. Robsjohn-Gibbings produced both custom designs and mass-produced furniture, opening his own design studio on Madison Avenue in New York City in 1936.
Edward Wormley took his inspiration from the past, as many designers do, but added his trademark modern touch to each of his designs. Together with furniture manufacturer Dunbar, Wormley became a household name.
You have to love the now oh-so-illegal placement of the baby in this advertisement for Dunbar from the 1950s. |
From Decorator - Designers
John Dickinson's pieces show his influence from African and Etruscan motifs, such as animal legs and hooves. He made a splash with his white, beige, camel, and gray color palette and produced lines for Drexel furniture and Macy's amongst others. He also created pieces and whole interiors for individual clients.
These pieces were designed in the late 1970s and early 80s by Dickinson. |
Haine's furniture is still available today at www.williamhaines.com |
From the library of E.R.Miller to your library, or at least google search library, Modern Americana.